On January 6 the TV show Grimm begins its sixth and final season. As a fan I’m disappointed to see the show end. Worse, the final season is half its normal length. But I’ll take what I can get. At least the story will come to an end instead of terminating abruptly, and I’ll find out what happens to the characters. I especially wonder about Juliette Silverton (Bitsie Tulloch), the hero’s girlfriend. She’s had a rough five years. From the start I’ve harbored the uneasy feeling that the show’s writers aren’t quite sure what to do with her. She’s too important to the narrative to remain static. She has to change. But how?
The saga of Juliette
A perky veterinarian, Juliette lives with Detective Nick Burkhardt in a delightful old house in Portland, Oregon. Life is good. Then Nick begins seeing people’s faces change into monsters. He thinks he’s going nuts and doesn’t tell anybody. Shortly thereafter, his Aunt Marie (Kate Burton) shows up with an Air Stream trailer full of weird artifacts and some news for Nick. Grimm’s fairy tales are real and he’s a Grimm. Like many of his ancestors he has the ability to see various species of monsters called Wesen.
They look like ordinary humans, but under duress Wesen show their true forms. Sometimes the transformation becomes so complete that ordinary people see them too. Hence the legends about werewolves etc. Some Wesen are dangerous and predatory, and Nick’s duty as a Grimm is to hunt them down and kill them. As a cop he already chases bad guys, so that’s handy.
Nick’s new identity spells the beginning of disaster for Juliette. She gradually becomes aware that he’s hiding something and their relationship suffers. Then one of his enemies, the Hexenbiest (witch) Adelind Schade (Claire Coffee), casts a spell on Juliette, a weird coma beyond the doctors’ understanding. This plot twist takes Juliette out of action for several episodes.
The writers could have let her die, but that would be too easy
Nick’s boss, Captain Sean Renard (Sasha Roiz), happens to be a Zauberbiest, the male equivalent of a Hexenbiest. At first he’s in league with Adelind and her mother against Nick. Later he allies himself with Nick against “the Royals,” European aristocrats who use Wesen to maintain their power. As the King’s bastard son, Sean has never had a comfortable relationship with his family.
Sean and Adelind’s mother devise a spell to awaken Juliette. Unfortunately it has side effects. Juliette doesn’t remember who Nick is and she develops a sexual obsession with Sean. (Before your imagination runs wild, keep in mind this is NBC, not HBO.)
By the time everything is sorted out, Juliette’s life has radically changed. She lives in a world of monsters. Even Nick’s friends, the perfectly nice couple Monroe and Rosalie (Silas Weir Mitchell and Bree Turner), are Wesen. But Juliette adapts. She becomes a team player in the ongoing battle against the Royals and various species of evil Wesen. The trouble is she doesn’t have much to do. Her knowledge as a vet occasionally comes in handy, but without magical powers or physical prowess, she can’t do much.
Adelind strikes again
After Nick takes away her Hexenbiest powers, Adelind endures an arduous and disgusting ceremony to regain them and proceeds to take away his Grimm powers. Hey, tit for tat. It’s only fair. With a magic potion she takes Juliette’s form and seduces Nick, who acts surprised when she comes on to him. I get the sense that Nick and Juliette’s love life hasn’t exactly been on fire.
Now that Nick is no longer a Grimm, Juliette hopes for a normal life. No such luck. He’s now helpless against his enemies. Nor can he protect Monroe and Rosalie from the Wesen Nazis who consider their mixed marriage an abomination. (Rosalie is foxy and Monroe is wolfish.) The only way to regain his powers is to reproduce Adelind’s spell. Ever the good sport, Juliette drinks the potion, takes Adelind’s form, and has sex with Nick.
And turns into a Hexenbiest herself.
As one might expect, the transformation is disastrous for her relationship with Nick. Nor does it do wonders for her personality. Once perky and sweet, she becomes sarcastic, jealous, and vindictive—like a witch should be. When Adelind ends up pregnant with Nick’s child from their single encounter, Juliette flies into a rage. She’s on the brink of killing Nick when his Grimm apprentice, Trubel (Jacqueline Toboni), brings her down with an arrow from a crossbow.
Of course Juliette doesn’t die
She’s spirited away by a secret organization devoted to fighting a secret organization of Wesen trying to take over the world. (The organization is called Black Claw like the daemon enforcer in my Daemon World series, so I must point out that my daemon existed long before Grimm‘s secret organization. If anything, they borrowed the name from me.) After extensive conditioning, Juliette reemerges into the narrative as Eve, a Hexenbiest who does nothing but fight. A weapon without life or personality, she appears not to care that Nick has hooked up with Adelind. Maybe she would have been better off dead.
But here comes another twist. In the final episode of season five, Juliette is grievously wounded and healed through the power of a mysterious artifact. In the process she changes and becomes . . . what?
Poor Juliette. Human beings are merely at the mercy of fate. TV characters are at the mercy of script writers.