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Most people would agree dead bodies are not a good thing. When one falls into your path, you step around or over it, or else you bury it with ceremony and weep. But there are a few enterprising folk who know how to make dead bodies work for them. One such creative entrepreneur is James Lewis, whose story is recounted by Joy Bergmann in her article “A Bitter Pill” in The Chicago Reader. Here’s a guy with oodles of initiative and imagination. He spots a dead body, and instead of thinking, “How sad!” or “Maybe I should call the police,” he asks himself three questions:

Does the dead body have money in the bank?

In 1978, Bergmann relates, the body of a Kansas City man named Raymond West was found dismembered in his attic. The body was too decomposed to determine a cause of death, but the cops soon learned Lewis had been lurking around the house after West’s disappearance and had cashed a $5000 check, supposedly signed by West. A business loan, Lewis insisted. Perfectly legitimate. After he was arrested, he told the cops the truth: Finding West dead in his home of natural causes, Lewis had done what any clever fellow would do — dismembered the body and hidden it in the attic, taped a note on the door so people would think West had gone on vacation, then helped himself to the checkbook. He was no killer! Only a scavenger.

Old House Smaller

For a while it seemed Lewis would be punished for showing some initiative, but he had an excellent attorney who glommed onto various procedural errors and argued eloquently:

“It’s one thing to kill somebody, it’s another to thing to dismember them after they’re dead. And while dismembering somebody after they’re dead is repulsive and repugnant, it’s not homicide” (qtd. in Bergmann).

Does the dead body scare the bejesus out of people?

In 1982 a wacko in Chicago bought several bottles of Tylenol, replaced the painkiller in some of the capsules with cyanide, and then replanted the bottles on various drugstore shelves. Some younger people might wonder how he put new plastic seals around the bottle caps. He didn’t have to. In those days bottles of over-the-counter medicine and vitamins were unsealed. After seven people died from taking the poisoned Tylenol capsules, that changed. We now have tamper-resistant packaging. James Lewis seized the opportunity to blackmail the company that made Tylenol, warning that more people would die unless he was paid a million dollars. Instead of being praised for trying to make lemonade from these unfortunate dead lemons, he was caught and sent to prison for extortion. Worse, the cops suspected him of being the wacko who did the poisoning. But they never made a case against him.  Of course not. His only crime was trying to generate some income.

The Tylenol poisonings remain one of the major unsolved crimes of the last century.

Do people want to read about the dead body?

In this case, the answer seems to be no.

Several years ago Lewis published a novel about — what else? — mysterious poisonings that spread panic through a community. He promoted the novel on his Web site as part of a campaign to uncover the truth about the Tylenol poisonings in 1982. To date, the novel has three reviews on Amazon.com. One of them, written by Lewis himself, extols the novel and awards it five stars. The second reviewer titles his review “The Only Book I’d Burn” and the third declares that Lewis isn’t getting any of his money. I usually disapprove of reviews by people who haven’t read the book, but not this time.

If the FBI doesn’t finally nail James Lewis, I hope he ends up in a nursing home where the caretakers treat him callously, ignoring his complaints about the unbearable pain that never leaves him. “Bring me some fucking Tylenol!” he’ll scream. And the attendant outside in the corridor, slumped in her chair, will turn another page of People magazine.

 

Joy Bergmann’s article is worth reading: A Bitter Pill

Video streaming is dangerous for me. I’m obsessive, and unlimited access to TV episodes has turned me into a binge viewer who consumes up to fourteen 40-minute episodes in a single day. It’s unhealthy and certainly unproductive. Over time patterns have emerged from my viewing choices. Disturbing patterns. I prefer stories with violence — lots and lots of violence— and heroes who are psychopathic and downright scary. Now I’m setting out to understand who these characters are and why I’m drawn to them despite the terrible things they do. I’m beginning with Dexter Morgan, protagonist of Dexter. I wrote this post a few years ago, while Dexter was still on cable (and before poor Rita gets slaughtered by the Trinity Killer), but my feelings about the lovable serial killer haven’t changed.

As one of six million plus Facebook followers of the Showtime series Dexter, I occasionally visit his page to view the photos and video teasers. Photos of Dexter (Michael C. Hall) draw effusive comments from women who think he’s “so Hottttt!!!!” and “soo sexy.” A more thoughtful fan muses that he’s “nothing special,” but nonetheless “that guy is killing me softly.” Not that I’m judging anyone here. I’ve watched every episode of Dexter at least twice. Like the women who coo over the photos, I’m besotted. Sometimes I do wonder why. Dexter is, after all, a serial killer.

The third fan is right, it’s not his looks. Though Michael C. Hall has a certain animal magnetism, he isn’t wildly handsome. The attraction is to the character he plays so well. Thanks to his foster father, a policeman, Dexter has learned to channel his murderous impulses for the good of society. He only kills murderers. “Taking out the garbage,” he calls it. His job as a blood splatter analyst for the Miami police allows him to identity the people who have gotten away with murder, and he takes care to find them guilty beyond a reasonable doubt. But he’s still a psychopath with a compulsion to cut people into little pieces. It’s really, really icky.

Dexter-Morgan-dexter-8253574Much of the credit for Dexter’s lovability goes to the show’s writers. The stories are told from his point of view with voiceover narration, so viewers see the world from his perspective. At the beginning of the series, he presents himself as a monster incapable of connecting with other human beings. His loneliness is touching. Every season a story unfolds, and at the heart of each one is Dexter’s quest to find somebody who sees and accepts him for what he is. Things never work out. His would-be friends and lovers are either so homicidal he’s forced to kill them, or like Lumen — a woman seeking revenge on the men who raped and brutalized her — they aren’t homicidal enough.

This need to be truly seen could explain some of his ritual. He speaks to the murderers on his killing table and confronts them with their victims. He wants them conscious when he cuts their faces to make the blood slides he keeps as trophies. They must see what they’ve done. And they must see him.

Despite his expertise in killing and not getting caught, Dexter is hapless on a social level. He’s perplexed by the most ordinary situations. Since he can’t feel emotions the way others do, he has no idea what to say or how to act. Often he mimics what he observes other people doing or saying. Dexter botches his wedding proposal to Rita twice. Then he hears a stalker confess to killing the unreceptive object of her passion. “My life was an unanswered question,” she tells a detective tearfully. “He made everything real.” Dexter recycles the lines when he proposes to Rita a third time. She bursts into tears and says yes. As much as I like the character of Rita, I can’t help laughing at how easily she’s taken in.

As the series continues, Dexter slowly discovers his humanity. There are dramatic turning points. In the first season his biological brother – a psycho killer like him – demands that he kill his foster sister. “Does it have to be Deb?” he asks plaintively. “I’m – fond of her.” But of course it has to be Deb. Forced to choose, Dexter slays the newfound brother who sees and accepts him rather than the sister with whom he has grown up and who has “a blind spot” when it comes to him.

Rita-Season-2-dexter-17806622In the second season he chooses the clueless Rita over Lila, his soulmate. Over and over he thwarts the monster in himself and affirms his humanity. In the end he becomes a lovable human being with a bad habit. Messy and morally dubious, but no worse than drug addiction. It’s both apt and ironic that Dexter has to attend Narcotics Anonymous meetings because Rita thinks he’s a heroin addict. Speaking to the group, he describes the Dark Passenger that compels him without specifying what it compels him to do. The other addicts assume he’s talking about drug addiction and nod in understanding.

Poor Dexter, he can’t help himself. He was traumatized as a child. And the world is better off without the murderers he kills. I’ve had my problems with substance abuse. I get lonely too. Sometimes I have no idea how to behave around people and have to fake it, just like Dexter. We’re so much alike. And now that I really look at him, he’s so Hottttt!!

I see you, Dexter! I love you just the way you are.

 

 

Photos from Fan Pop